It often is to be that people are familiar with the, to be creative into a bronze sculpture works, using bronze eagle language public nature and to commemorate the performance, make the work more appealing to the longevity of this tour of the 030 works “Victory Kiss” (Figure 4.7) gtJ for the source from the U.S. the end of World War II, a famous historical photos this Photo the photographer Aifeiliede taken in Times Square in New York on August 14, 1945, a young sailors embrace from the side of a stranger, wearing white uniforms, nurses, bold kiss they hugged kissing scene snap down the U.S. The deformation of bird wen on the bronze appeared earliest in the Erligang period. “Life” magazine used as a cover photo. Since then, this photo famous the world and go down as celebrate the victory of World War II, one of the most moving scenes from Beijing, Wang Hu Wang Songkai basis for this famous photograph of a bronze sculptures made of this piece is a slightly larger-than-life statue.
Works with a highly realistic approach, the instantaneous behavior of two protagonists in the victory celebration a true and vivid performance out of this creative way to generally adopt a creative approach like the bronze sculpture. because the photographs are as like a field recording. select the key elements expressed in the photographs, and then the bronze sculpture of measurements of spatial language in the original data expressed the meaning of the re-creation to enhance the content of works of art and play appeal Bronze Sculpture language. It had become the primary pattern on the bronze in Yin Dynasty. This creative approach has the advantage to visualize, very vivid visual expression to express the works of connotation, but these too image the image of the bronze sculpture is generally inappropriate to scale to do a great need to re-Figure 4.7 China, Beijing.
Wang Hu Wangkai Song: kiss of victory Fi94.7The kiss for victory. Source: Chinese Artists’ Association Code peace, prosperity and bronze sculpture tour is issued Portfolio 3l Journal of Chongqing University of the anti-fascist war theme shelves Bronze Sculpture language simplification and generalization of treatment to simplify the excess image, so that the work is more refined, performance the concept in the concept of force is also stronger. The bronze was present in large numbers in Western Zhou until the Spring and Autumn period. anti-fascist war theme rack bronze sculptures, conceptual bronze sculpture bronze sculpture is an artistic vocabulary nineties of the last century, the rise of Chinese bronze eagle circles. frame carved on the bronze as the language of art to explore the cutting-edge.
Bronze Sculpture conceptual exploration. conceptual art before and after the sixties of last century, the first to explore conceptual art Marcel Duchamp and other readymades to express the concept, The tradition of bronze sculpture concept the deconstruction conceptual bronze sculpture of mainly bronze sculpture art form or theme, but in some form or theme to express the thinking and ideas of the creators of reality. Mostly bird wens of the bronze in Shang were short tails while the Western Zhou more was long tails and high crest. And traditional bronze sculptures the creative concept of the difference between traditional bronze sculpture creative concepts more attention to the unity of the narrative and plot external form of the requirements of form and content. conceptual chinese bronze language creators of creative new ideas and structure level creative theme is no longer a description of a single thing or event in the past, but to diversify.