bronze Pixiu, Ancient Mythical Beast
Lotus crane pot on the Long ear petals decoration, to gluttonous, Kuilong as the main decoration of the bronze Shang and Zhou dynasties, is invisible. This plant image as a decorative style, developed in the Spring and Autumn Period For example, a known Lu Stuart Shop and Long ear petals, have petals decorative device. Lotus Petal lid shape, its origins can be traced back to the late Western Zhou Dynasty. They once went on an expedition with the bronze here. Pass out in 1941 in Shaanxi Fufeng ‘beam side pot’, the theme of pattern Kui Dragon capped weeks of three-dimensional ring bands decorated, resembling the later of the petals; handed Tsang Bo Yee pot, the same shape, Rong Geng straight called ‘petals shaped’; Tianma a village, Shanxi Houma, Marquis of Jin cemetery M8 unearthed in 1994 two copper side pot, the lid also close with the petals on the three-dimensional ring with a design thing.
Thus, this Lotus Petal decoration is constantly evolved new forms of decoration objects from the Western Zhou Dynasty ring. In addition, the Lotus has always been considered part of the culture of Buddhism, it is not right; it is inherent in Chinese culture. In addition, in Xunwu, Long Nan, Gan County, Nankang, Dingnan have all found some bronze. Off the M62 unearthed “cover the top of the decorative bird seems to be the style of Jin bronzes, such as a Malaysian one village, Shanxi Marquis of Jin cemetery M63 unearthed a side seat cylindrical cover there is a standing birds; a round lid on a standing birds; M31 on the helmet cover on top of the same standing birds decorated Na Li bird decoration, is difficult to find in other regions outside of the State of Jin, is likely to be by the State of Jin bronzes.
Crane carving bronze lotus crane square pot, not only is a symbol and ignited, and the creation of an aesthetic space. Bronze lotus crane square pot identified Crane Culture in Humanistic Imagination transmutation process is of great significance. ” Bronze lotus crane square pot on the crane is realistic, do not underestimate this time a little realism; because the animals are on it before the Bronze myth! Why have exactly the bronze of Qin been left in Jiangxi? It Warring States, realism to become a pandemic. In this sense, it represents the epoch-making art, it has broken the imperial power to imprison; lead to an open era, the philosophers since then has boarded the big stage of history. Cover trim stolen song lines, connected to the first tail of the two animals, the junction has a mesh pattern (Figure 2 and Figure 3).
Steal the song pattern (cover side): one of the decorative patterns on bronzes. The basic features of the ornamentation is to constitute a prolate pattern back to the hook or “S” shape from both ends of the lines, in the middle often fill to the head-shaped pattern, the shape of the animal body and not to distinguish inclusive. “Wei Lu Fitness: Zhou Ding stolen song, like a very long, are curved up and down to see the great loser.” Old think that the above decorations stolen song pattern, in fact, the the beast deformation pattern, so also known as the “beast deformation pattern. Prevalent in the Western Zhou Dynasty in the late Warring States still in use. The north of the national territory of Qin Dynasty was Xiongnu that has offered a lot of chinese bronze. On both sides of the pot neck: look back on the shape of a dragon monster mural for the ears, Long look back on duty-bound, increasing the vividness of the containers! Corners were put into the trunk and downs, the end of the roll, hollow scales pattern. “Binaural a ‘Ling Ziyun gas, into the deep springs of’ grand in.
~doadmin
Tags: bronze
This entry was posted by doadmin at 8:58 am and is filed under bronze.
You can follow any responses to this entry through the RSS 2.0 feed.
Responses are currently closed, but you can trackback from your own site.