Pottery of this period the most surprising and exciting, of course, is very abstract means that the animal body control, because they represent a true reflection of original art from the visual strive began to rise to the aesthetic abstraction. The kui dragon and kui phoenix on the bronzeis intertwined taotie design. unearthed in Shaanxi Huaxian TaipingZhuang an eagle tripod the Yangshao Miaodigou type called the original era of the late bronze sculpture masterpiece. and the other for the original religious sculpture, works as a totem idol or the need for witchcraft rituals shaped, such as totems, statues Liaoning Kazuo County Dongshanzui in the discovery of two small pottery nude pregnant women stand like in China, bronze eagle has outstanding significance in the history of these pottery not with any of the utilitarian role, but also the lack of the totem should be deep and solemn.
China Bronze Sculpture a long history of pottery as a pioneer in the art of bronze sculpture has laid a solid foundation for the development of the art of bronze sculpture. prehistoric pottery, subjects for animal figures shaping the way multi-carved for decorative bronze utensils, bottles , gave us the impression of the pottery works of this period is the image of a simple, rustic style, simple shape, to give full expression to the freedom of our ancestors, random, not with any of the binding nature of the Qin Dynasty, the pottery is still the image of the small animal-based portrayed in the containers, bottles, there are also independent pottery body. Quote a wonderful statement of Mr. Li Zehou to describe the bronze. Pottery utensils, bottles and cans on the practical and aesthetically pleasing combination of evolved through the further development of its function as a pure and beautiful as an ornament for people to enjoy.
It reflects the creativity of the original ancestors, we can notice that their intake of the image, all they are interested in people or animals to the mud to be shaped by hand. After careful observation to shape functional and aesthetically pleasing artifacts. primitive pottery of infinite charm lies in its implication in simple, summarized and simplicity in the right soil, life, all natural America artistic impulse. pottery’s beginnings. The beauty of the bronzedoes not rely on the vigorous lines of the image. From the Xia, Shang, thoughtful Spring and Autumn, Warring States pottery in the maximum amount is still some small animal figures. the Xia animal image rarely occur independently, they are mostly portrayed as a diagram decorated household utensils. the Western Zhou Dynasty pottery jade, stone the rise of the sculpture.
From a practical because of the pottery the appearance of only the development of future bronze Sculpture, pottery art, fully embodies the ancient human preliminary knowledge and artistic ability to reproduce on their own strength. Keywords: bronze pottery carved start times, according to different purposes, be roughly divided into two categories: one category is the decoration of the life of appliances, such as pottery covered button handles, body of parts of the three-dimensional bronze sculpture decoration of the shape of such objects cover, the characters face more than an exaggerated portrayal of: some of the performance of the innocent boy, and some performance the dangers of brawny beard and hair, humorous elderly or infirm, the, and most of the plastic its shape and painted their God. Look at famed dings in Shang and early Zhou, the animal-mask yue, the thunder patterns all over the chinese bronze.