Although more expensive, but it has many advantages, strong coverage, not Baolie, do not shed, is not easy leg color, dry insoluble in water, so you can wash with water, a The complete works generally require about 30 days. The sacrificial bronze was mostly excavated in complete sets. The Wuxi Caisu According to legend, the existing 400-year history. Huishan Clay also Wuxi often say, according to legend began in the Ming Dynasty, flourished in the Qing Dynasty, Huishan Clay to create a world-renowned artists for generations of artistic practice. Huishan Clay category is divided into two categories of crude goods, fine goods. Crude goods, also known as play cargo auspicious blessing for the theme, the use of molds printed blanks, hand-painted color, its exaggerated lines simply humble, great overall juvenile fat, extensive painting a pen, a strong color contrast. Mainly for children to play.
The fine goods focus on virtual reality, to simplify generation of complex shaped vivid artistic skills, a strong sentiment of Jiangnan. Pinching the main shaping the artistic image. The most dramatic theme-based, it said, pinching the operas. Pinch statues and works reflect the present life. Bronze teaching rural primary school-based curriculum development. In the Zhejiang Education Edition Primary School art materials, arts and crafts of the “Bronze” has an important position. The bronze and bronze instruments are in the majority on the category and quantity. Cultivate children’s interest in the content of curriculum reform, the Hunan version of elementary school art materials, “Bronze” is to occupy a greater proportion. “Bronze” is a bright pearl in China’s traditional crafts, to Huishan FengYang, clay figurines, is famous at home and abroad.
To create not only is the “soul” of the art development, art education, “the soul”. The role of art teaching activities to activate the right brain that govern human creativity is difficult compared to other disciplines, and bronze art teaching activities, it is an effective means of cultivating students’ spatial creativity. This event indicated a clearly increasing role as the ritual bronze. Bronze circulated as a theoretical model of a long process are different from other art, there are a set of perfect internal production procedures, its children, three-dimensional development can not measure.
As we all know, children in his paintings, always accustomed to the flat shape to show three-dimensional objects to show the relationship between space, size, distance, about all. Such as: a 4-year-old children drawing a house, you may find: the house on both sides of the house before and after what, inside the house, what is … “But when he drew out Shique often flat, or even things in the house is also painted on the walls of the house can not give three-dimensional feel. The reduction of the wine bronze is a prominent feature of this time as well. This is because the children although there is a preliminary concept of perception of space, three-dimensional sense, but take a three-dimensional objects in two-dimensional paper-based performance, requires a transformation process from 3D to 2D plane, namely: three-dimensional reproduction process.
Early childhood mental mechanisms have not developed to understand the degree of integrity and master this technology. How to develop the children’s three-dimensional, and enhance children’s spatial imagination? Multi-boot the children bronze creation is a good way. A bronze materials for the development of three-dimensional perception of the child. The Wine Admonition of Shang Shu recorded the story of the bronze. chinese bronze materials used, regardless of the clay surface mud (flour and vaseline mixture), it is a three-dimensional structure of three-dimensional materials, regardless of the child how to change the look of it, it is the end is always a three-dimensional image, can not change its own three-dimensional structure. Such as: a child with the surface mud in physical shape of a four-legged table, he can easily be shaped four legs, and let him use a pen on paper painting table, table less on two legs.