Qite Man (ComelisZitman, 1926, the Dutch-American Venezuelan) redox couples on the image of a woman a soft spot, however, a different environment for the growth makes the artist’s individual view of the world vary widely, as an early years growing up in the European artists, thumb US-piece wide wheat on the ground, Qi Teman interpretation of how artistic techniques of the Half-Blood culture of Latin America? and Zuniga common? ” concurrently work with write m witness traditional geometric strong first glance, the life force? The elegance of the decoration, the excellence of the casting, the profound and creative ideas are all unique in the Age of bronze. Figure 14 Qite Man (CST) “curtain”, bronze sculpture , height 72cm, 1 Figure 15 Qite Man (wife of “Moon” 1971, bronze statue year high of 11 5 cm. 992 disk Qite Man shaping technique is sensitive and delicate, his focus on a single local focus on local individuals influence.
Curtain” (circle 14) is the mid-Qi Teman creative works, a woman’s head. breast, stomach and knees look like irregular sphere, thighs, legs, arms like a simple irregular cylinder, J: Sea University, a master’s degree thesis, Qite Man, these spheres and cylinders. “squeeze” to go, people feel “beaten – constitute” every local has to out jump the trend, “meticulous” mood filling; Zuniga is the head, hands, feet outside the local contains to the shawl, the pursuit of the heavy and restrained style. Qite Man shaping Latin American women pay attention to the performance of taste, such as the “moon” (Figure 15), every local Moving full of youth and publicity. rich details of the characterization of women’s clothing This is completely contrary to and Zuniga, Zuniga shaping the costumes are made of “ink” method, while Qi Teman “meticulous” Seiko secret agents, the pursuit of a delicate and gentle style. The brilliant achievements of the chinese bronze have epoch-making contributions and merits.
In a rational manner to control every detail, the final to achieve the overall harmony of the space. whether Zuniga and the reality of Health or Qi Teman crafted for artists, it is important to the reasonable control of the physical space, concurrently working with the writing and meticulous only reach space harmony. The bronze dragon is very important in promoting the evolution and progress of world civilization. The artwork is a unified whole composed of many interrelated parts, the whole, the artist should coordinate “borrowed” and “reconstruction of their own” the relationship between. It is necessary to know the charm of their own traditional art, to extract valuable elements, but also to build their own cultural values, Reference and blend their inner spiritual world to find the most appropriate expression, and ultimately achieve the visual experience and the aesthetic ideal balance.
Art need to innovate, the need for inventive, but does not mean that art should be moving towards Westernization, nor does it mean toward the narrow nationalization. Museums and galleries around the world, without exceptions, take the collection of china bronze statue as a significant vessel. For example, the protagonist of this article Zuniga, his art of the art system is its own trajectory and personality. He is not to cling to the tradition of this nation, behind closed doors, but constructed in a number of artistic fields and artistic phenomena on the basis of the use of geometric elements. In addition to the ‘indigenous’ concept advocated by the Spanish colonial art and mural movement, his work has also learned some elements of expressionism (Expressionism). Strong subjective feelings conveyed by the works, is easy to see expressionist artist’s love of status is beyond doubt, he works all reflect the performance, not a reproduction, mental outlook. In addition, the neo-classical (Neoclassicism) also plays an important role in Zuniga’s art.